A contrafactum from Komotini based on the song “Ririka” from the operetta Our Ririka (1930), with lyrics by Giannis Prineas (1882–1963) and music by Stathis Mastoras (1893–1943). This particular song was identified in the database of the Maale Adumim Institute under the title “La Kantiga Renombrada” and forms part of the audio archive of the Turkish-Israeli researcher and journalist Moshe Shaul (1929–2023). According to this database, the song is recorded as belonging to the tradition of Komotini, which may indicate either that it was written and sung there, or that Mari Abrevaya, who preserved it, originated from this city in Thrace. This contrafactum appears to have been created after 1930, the year in which the operetta Our Ririka premiered. It is likely that the melody of the original song reached Komotini through a travelling theatre troupe before the Second World War. Until the 1950s, theatrical companies toured throughout Greece, contributing significantly to the dissemination of new musical repertories and sounds. However, it is not possible to determine with certainty whether this contrafactum was indeed composed in Komotini or whether it was also sung in other regions. What can be established is that the adaptation was made in Greece and that the song belongs to the 20th century, as indicated by the clearly dated operetta. These elements are particularly significant, since it is rare to be able to determine with such precision both the** place** and the time of the creation of a traditional song. The Judeo-Spanish (Ladino) text constitutes a paraphrase of the original Greek lyrics.